
Stage 1 and 2 of Beverly Ellsley's Taj Mahal
Marianne van Wijngaarden is finding out ways to paint in a more spontaneous and direct way. With this cow she seems to have found the right direction...
Stage 1 and 2 of Beverly Ellsley's Taj Mahal
Marianne van Wijngaarden is finding out ways to paint in a more spontaneous and direct way. With this cow she seems to have found the right direction...
...similar work from Brenda Moorehouse - with an "industrial" atmosphere...
...Beverly Ellsley created this wonderful still life with "jeu-de-boules" ball...
...here's another amazing picture from the hands of Ann Edwards!!! Isn't it wonderful! What an effect...as if it rolls from the paper...
And last but not least the poetic work of Anna Karin Fast - she gives the jeu-de-boule-balls a beautiful, peaceful character and if you look careful you can see the very subtle reflections!
Marianne van Wijngaarden has been working on the reflection of a white heron in the water...

By Brenda Moorehouse...
...and Lies Timmermans
Anna Karin painted branches on a mirror, but the reflection was so sharp that with this subject it is hard to see what's reflection and what not... When we are painting outside, we are sitting under the trees - and she also painted the reflection of the leaves...
Bird in the water - Anne Edwards gave it two tries! Maybe next week we can show the third and final attempt! She's almost there...
And I couldn't help myself - I have made a reflection-picture of beach tents.

And then went on with the spiral to end up with this fantastic fantasy!
Clown fishes by Anna Karin Fast.
Great work by Ann Edwards -as always!!
A more abstract take on the Clown Fish by Bibbi Isaksson - very graphic!
Clown fishes by Beverly Ellsley
And last but not least, a deep-sea scape, by Lies Timmermans.
And it actually looks great!!
The different approach of aquarellista's is of course that if you don't like your painting, you tear it up and throw it out. When in doubt, you can keep it - a painting on paper doesn't take much space- and work it out later (that's why we hardly ever varnish). And when you are sure that the painting is crap - apart from one part - you get rid of it - apart from that part! Hard to do when you create oil paintings on canvas nailed on wood!! (hehehe)

Not bad at all and at least it mentions us! And the very good news is that we will be there AGAIN from 10 - 20 December!
Loose end: Last week I promised to let you know what Cathie had done with her half-finished rose - cut it off, leaving a portrait painting, or add another rose and end up with a landscape painting... As you can see she did neither, and worked out the whole flower... She added some darker tones and the result looks positively stunning!!
The Aquarellista's used the Iris as inspiration for their vertically-inclined work last week: we worked on easels instead of sitting down, resting the boards with stretched paper on a table... We agreed that that way still works best - but nevertheless, the results of painting - standing up were outstanding!!
The beautiful transparent Iris of Lies Timmermans: also look at the background! It really brings the flower forward by modestly being beautiful...
Cathie van der Stel's Irises! From light to dark, from fluttering to robust -and delightfully painted
A yellow Iris by Hélène van der Kroft - another way of composing a background that brings the Iris out: dark and with a suggestion of leaves and stems
The next (third) Iris of Brenda Moorehouse - and the best sofar if you ask me!
A wonderful painting of yet another Iris by Beverly Ellsley to end this post in style!