Stretching paper revisited...

Below are a couple of pictures in which I stretch watercolour paper. It can be done in more ways (with staples for instance), but I use paper tape, Arches 180 or 300 grs torchon paper, water resistant boards and a bath tub half-full with water 

Here's how I do it:

The (still wrapped) roll of Arches Torchon paper, 1.13m wide and 9m long... 

...paper unwrapped and ready to be cut...

 

 ...sheets straightened, soaking in the tub with cold water...

...wet sheets hanging...

...cut to size...

...press out the water (diagonally) and stretch at the same time... 

...cut the sticky paper tape... 

 ...one paper stretched...



...boards with stretched paper drying...

See the Aquarellista Blog to check out to what's done with them :)

Paper & colours in the sun: the second year!

On 18 June 2011 I started to test the properties of Arches Torchon Watercolour paper and Winsor & Newton paint (Payne's grey, Sap Green, Sepia, Crimson, Ultramarine, Lemon Yellow, Winsor Blue, Winsor Red and Winsor Orange). I painted a couple of strokes in these colours, cut the paper in three pieces, put one in a binder, varnished one and did nothing to the third. Then I stuck the varnished and untreated parts to a window on the South, where the sun is practically always shining (I'm in the South of France).

A year ago I posted the first results (Click here to re-read) with pictures of the window in question and it looked as if nothing happened.
Another year passed - and below are the 3 parts once more. It seems that the Crimson has faded a little bit! But that might also be the picture, the outside is slightly bent... I have put them back - and we will have another check next year! Then we'll know for sure ☺

To make the project even better, I will in the near future also create a similar triplet on cheap watercolour paper with cheap paint! So Watch This Space!

Did sunlight damage my test painting?

The first year test results...

When you buy -or paint- a beautiful aquarelle watercolour that you would like to have on your wall, you have to put it behind glass to protect it from dirt and humidity. Also, better not put it in direct sunlight, because that's asking for fading. The beauty of aquarelle is in the subtlety and the transparency - and that would be what you lose when it 'fades'.

Nowadays you can buy varnish for watercolours, that claims to be protecting the painting from 'light' damage. I have one of the brand Schmincke and tested it a couple of times and it doesn't visibly change the watercolour. It made it somewhat waterproof, but not quite enough (more about that in a future post). But will it protect the painting against bright light? I use Winsor and Newton artist quality aquarelle paint and Arches acid free cotton paper that also claim to be perfectly light resistant...

Time for a test!

A year ago, I painted 9 colours that I often use (Payne's grey, Sap green, Sepia, Crimson, Ultramarine, Lemon, Winsor Blue, Winsor Red and Winsor Orange) on a sheet of Arches Torchon 300grs watercolour paper.

I cut the paper in 3, put one part in a binder (with absolutely no light). One other piece I varnished, and then put that up together with an untreated one, in a window of my atelier, on which the sun shines all day (remember I am in the South of France...)

Today, a year later, I took them off the window and put them together again:

The photo is a bit blue and vague - but you can see that there is no difference. The top part is varnished, the middle part was in the binder and the lower part is completely untreated.

Not much to conclude yet, but for sure, one year in the bright sun can be handled by W&N on Arches without varnish!

They are back in the binder/on the atelier window, more next year!